| Remembering Simon Ottenberg and Radcliffe Bailey
|
2024 |
Okeke-Agulu, Chika |
| Reflections on imageries of seductive sublimity : new paintings of Kebedech Tekleab
|
2024 |
Kassalty Bagnole, Rihab |
| Uncolonialism - Bāb Art
|
2024 |
Gallois, William |
| Lubaina Himid : do you want an easy life?
|
2024 |
Kholeif, Omar |
| The verandah between climate determinism and climate consciousness : colonial comfort or self-determination?
|
2024 |
Akcan, Esra |
| Dakar's Salon Confrontation of 1966
|
2024 |
Horn, Daniel |
| Dialogues with the carnivalesque : decolonial artistic practices in the Lusophone Black world
|
2024 |
Nolasco, Ana |
| Studio call : Mikhael Subotzky
|
2024 |
Okeke-Agulu, Chika |
| Sue Williamson and Lebohang Kganye : Tell Me What You Remember : The Barnes Foundation, Philadelphia, March 5 - May 21, 2023
|
2024 |
Onwuegbucha, Iheanyi |
| Barkley L. Hendricks : Portraits at the Frick
|
2024 |
Schiffman, Rebecca |
| Denyse Thomasos, Just beyond : Art Gallery of Ontario, Toronto, Ontario, October 5, 2022-February 20, 2023
|
2023 |
Harakawa, Maya |
| Reclaimed legacies and radical futures : Meta Vaux Warrick Fuller's "Ethiopia"
|
2023 |
Mangione, Emily E. |
| From transparency to opacity : Cheikh Ndiaye's movie-house paintings
|
2023 |
Diawara, Manthia |
| Yaw Owusu, In the Cool of Day : Efie Gallery, Dubai, UAE, October-December 2022
|
2023 |
Gahiga, Kami |
| American art historiography, slavery, and its aftermath
|
2023 |
Sheehan, Tanya |
| Rachid Koraïchi faces sea terror in his "Le Jardin d'Afrique" : reading W.E.B. DuBois in Zarzis
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2023 |
Abusharaf, Rogaia M. |
| Ellen Gallagher and Edgar Cleijne : on the art of becoming
|
2023 |
Diawara, Manthia |
| Looking for Beauford : the Greene Street paintings, 1936-1952
|
2023 |
Oetting, Blake |
| All the world's histories : at the 59th Venice Biennale
|
2023 |
Wendt, Selene |
| In the Black Fantastic : Haywood Gallery, London, June 29 - September 18, 2022
|
2023 |
Obuobi, Sharon |
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