| The image and cult of "Sette Arcangeli" facing Roman censorship
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2021 |
González Estévez, Escardiel |
| Alonso Cano's "The Miracle of the Well" : material forms, temporalities, and the invention of miraculous marian images
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2021 |
Stoenescu, Livia |
| In between sacred space and collection : an altarpiece from Augsburg and the norms of Catholic art around 1600
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2021 |
Putzger, Antonia |
| Simulating and appropriating the sacred : the background to a papal ban on saintly portraits of non-saints
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2021 |
Hall, James |
| The tradition of change in copies of the Santa Casa di Loreto : the case of San Clemente in Venice
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2021 |
Giffin, Erin |
| Middle natures, human stone : fossils, Ribera, and Fanzago at Certosa di San Martino, Naples
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2021 |
Olson, Todd |
| "Ritratti rubati" : portrait of post-Tridentine saints as "pia fraus"
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2021 |
Niedermeier, Nina |
| The reception of divine grace in Hendrick ter Brugghen's "Crucifixion with the Virgin and Saint John"
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2021 |
Neil, Josephine |
| Sebastiano del Piombo : the normative sacred image between Italy and Spain
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2021 |
Baker-Bates, Piers |
| Too many wounds : Innocenzo da Petralia's excessive crucifixes and the normative image
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2021 |
Franceschini, Chiara |
| "Fumi-e" : trampled sacred images in Japan
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2021 |
Kojima, Yoshie |
| Introduction : images as norms in Europe and beyond : a research program
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2021 |
Franceschini, Chiara |
| Ignatius of Loyola as a normative image
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2021 |
Zierholz, Steffen |
| Wounds on trial : forensic truth, sanctity, and the early modern visual culture of ritual murder
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2021 |
Cavero de Carondelet, Cloe |
| The return of Andrea Casali : legal evidence, imposture, and the portrait in late Renaissance Italy
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2021 |
Biffis, Mattia |
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