Uncollecting India at the V&A : colonial artefacts and their afterlives
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2021 |
Singh, Kavita |
Bringing the spectator to the foreground : Julio Le Parc and Lygia Clark at the Venice Biennales (1966 and 1968)
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2021 |
Couto, Maria de Fátima Morethy |
Symbolism of Afro-Latin American religions in visual arts
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2021 |
De Oliveira Elias, Tatiane |
Motion/Transformation in Valerio Adami
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2021 |
Agosti, Vera |
The architecture of Eladio Dieste : challenging technology, structure, and beauty
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2021 |
O'Neill, Elena |
Lithic images, Jacopo Ligozzi, and the "Descrizione del Sacro Monte della Vernia" (1612)
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2021 |
Wilson, Bronwen |
Making iron matter in Second Empire France
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2021 |
Ogata, Amy Fumiko |
Representations of Brazil in Italy in the 16th and early 17th centuries : between domestication and ferocity
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2021 |
Berbara, Maria Louro |
Between art and fashion : 16th-century costume books today
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2021 |
Carvalho, Larissa Sousa de |
The Venice Biennale as a world map : cartographies, geological interventions, landmark layers
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2021 |
Portinari, Stefania |
Ambiguous gestures : iconography of the archers between Europe and the New World
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2021 |
Menezes, Renato |
18th-century foreign artists in courts
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2021 |
Luengo Gutierrez, Pedro |
Visibility and criticism in the public sphere : Marcel Duchamp & He Chengyao
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2021 |
Leung, Kwan Kiu |
Invisible stories : the other criteria of art criticism in the Middle East
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2021 |
Radwan, Nadia |
The anti-urbanism discourse in the paintings of George Ault and other precisionists
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2021 |
Nie, Haoxue |
Digital curating and ephemeral artworks : three case studies
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2021 |
Bianchi, Pamela |
Attraction and artistic mobility patterns in P. M. Bardi's Brazilian way
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2021 |
Rusconi, Paolo |
The architect's hand : making tropes and their afterlife
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2021 |
Payne, Alina Alexandra |
Standardizing the author : Emilio Prini and conceptual art
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2021 |
Guzzetti, Francesco |
"Edmond de Belamy" or "Bel Ami" : the rise of the "non-artist" vs. the artist's retreat
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2021 |
De Chiara, Sara |