There where the light retreats : more about Titian's "Annunciations"
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2021 |
Rybalt, Ewa |
Written on the wall : script and decoration in medieval central Europe
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2021 |
Szakács, Béla Zsolt |
Picturing the Trinity : vision, iconography, and theology in Béatrice of Ornacieux (d. 1303)
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2021 |
Sancho Fibla, Sergi |
Propagating power : gender, language, and empire in the Edwardian baroque revival (1885-1920)
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2021 |
Bremner, G. A. |
From colony to Republic : political images and ceremonies in Costa Rica (1809-1858)
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2021 |
Santamaría-Montero, Leonardo |
Visual mimesis, textual nemesis : animation and alienation in Zen portrait inscriptions
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2021 |
Winfield, Pamela D. |
Brazilian "pontos riscados" : spiritual invocation, nomination, geometric thought
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2021 |
Valle, Arthur |
The power of images and images of power : the replicas of the Lateran Saviour in central Italy
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2021 |
Curzi, Gaetano |
Art, nature, metamorphosis : Maria Sibylla Merian as artist and collector
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2021 |
Grebe, Anja |
Collecting the other way round : collecting and being collected
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2021 |
Laube, Stefan |
"Parer vivo" and perspective : the case of Mantegna
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2021 |
Severi, Carlo |
Modern "disegno" : the embodied splendour of lines
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2021 |
Palin, Tutta |
The Mughal simulacra : architecture as visual language of Imperial identity in Fatehpur Sikri
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2021 |
Roy Choudhury, Priyani |
Confident women in Indo-Persianate albums : visual metaphors or ethnography?
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2021 |
Weis, Friederike |
An overview of contemporary new media art in China
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2021 |
Zhuge, Yi |
Aby Warburg in Arizona : the "Denkraum" of nature and art
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2021 |
Latsis, Dimitrios |
Archiving nature : from Vandelli's curiosity cabinet to the natural history Cabinet
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2021 |
Oliveira Duarte, João |
The Seven Sages of the Bamboo Grove : the canonization of a pictorial theme in brick reliefs during the Southern Dynasties
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2021 |
Chen, Liang |
Beyond the visible : Aby Warburg and his final reflections on images
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2021 |
Cieri Via, Claudia |
The "represented" world of Colomba da Rieti and Domenica da Paradiso
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2021 |
Argenziano, Raffaele |