The artist's frame of reference in Antoine Sucquet's "Via vita aeternae"
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2022 |
Barbour, Carol |
Rembrandt's "Judas returning the Silver" of 1629 : visual and literary associations
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2022 |
Golahny, Amy |
Ekphrasis and the global eighteenth century : A.E. van Braam Houckgeest's collection of Chinese art
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2022 |
Odell, Dawn |
Seeing "de flandes"
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2022 |
Porras, Stephanie |
"No less difficult to paint... than to describe" : Chaos in Michel de Marolle's "Tableaux du Temple des Muses"
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2022 |
Clifton, James |
Robert Campin and Jan van Ruusbroec : spiritual conflagrations and ekphrastic mysticism
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2022 |
Wise, Elliott D. |
Through a poet's eyes : Jan van der Noot's poem on the capital sins
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2022 |
Weissert, Caecilie |
Mythography as ekphrasis : Ludovico Lazzarelli's "De gentilium deorum imaginibus" and the "poetics" of humanism
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2022 |
Enenkel, Karl A. E. |
Ekphrasis and the romance of botany in the age of Pietro Andrea Mattioli
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2022 |
Oettinger, April |
Finding, stealing, translating : the subject(s) of Tintoretto's Brera Scuola Grande di San Marco "Istoria"
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2022 |
Ch'ien, Letha C. |
"Escribieron en mi memoria" : ekphrasis in the pastoral fiction of the New Spain
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2022 |
Clifton, Teresa |
The edge of ekphrasis : Bellori and reproductive printmaking
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2022 |
Maloney, Annie |
Ekphrasis and Ovidian poetics in Hendrick Goltzius's "Landscape with Venus and Adonis" of ca. 1598
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2022 |
Melion, Walter S. |
Introduction: Ekphrastic image-making
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2022 |
DiFuria, Arthur J. |
Transfiguring Raphael, reforming Christ : ekphrastic image-making in Nicolas Poussin's "The Miracle of St. Francis Xavier"
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2022 |
Zierholz, Steffen |
Art between fact and fantasy : tracing the afterlife of ekphrastic architecture in Renaissance Italy
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2022 |
Speelberg, Femke |
"The reader seems to have seen rather then read" : ekphrasis as an instrument of religious persuasion in Erasmus of Rotterdam
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2022 |
Kaminska, Barbara A. |
Level to ekphrasis in the "Tableaux de la Pénitence"
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2022 |
Nørgaard, Lars |
"By this blood most chaste [...]" (Livy, "The History of Rome", book 1.59) : passion and politics in Rembrandt's "Lucretia" of 1666
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2022 |
Perlove, Shelley |
Antithesis, ekphrasis, and antiphrasis in Joachim du Bellay's ruinscape, "Les antiquités de Rome"
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2022 |
DiFuria, Arthur J. |