An essay on Mondrian's "tragic"
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2024 |
Stumpel, Jeroen |
Remembering Ger Luijten (1956-2022)
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2024 |
Hecht, Peter |
Still life of a home in Paris : Jan Frans van Dael's residence at the Feuillantines
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2024 |
Suykerbuyk, Ruben |
Thinking in longer lines : Ger Luijten and contemporary Dutch prints and drawings
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2024 |
Wal, Gijsbert van der |
"It's all in the game" : games and gambling in early Northern art
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2024 |
Veldman, Ilja M. |
Leisure in Rome, 1629 : an unknown edition of a print series after Abraham Bloemaert
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2024 |
Weber, Gregor J. M. |
Family matters : the letters of the Van Gogh family
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2024 |
Luijten, Hans |
Corot : open-air painting after Italy
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2024 |
Galassi, Peter |
An art historical miracle : Hollstein's and New Hollstein Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700
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2024 |
Leeflang, Huigen |
Jan Brueghel the Elder's journey to Prague in 1604
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2023 |
Bartilla, Stefan |
Pregnancy portraits by Jacob Jordaens and Anthony van Dyck
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2023 |
Kelchtermans, Leen |
A palace for pictura : Cornelis van Dalem's artist's house in Antwerp
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2023 |
Grieten, Stefaan |
Memling's genius and locus : Symbolists, travelers and tourists in Bruges's St John's Hospital
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2023 |
Huygebaert, Stefan |
"har - las - uber - gan": new evidence about an Eyckian portrait in the National Gallery, London
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2023 |
Janzen, Svea |
Skepticism and morality in Jacques de Gheyn II's Preparation for the witches' sabbath
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2022 |
Tal, Guy |
From drawings to comprehensive work of art : a reconstruction of Jacob Jordaens's Psyche Gallery in his Antwerp house
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2022 |
Kelchtermans, Leen |
East Asian lacquer in the Dutch Republic and Denmark : the early networks of François de Bray
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2022 |
Dikkes, Elsabeth Alicia |
Lumière sur La Haye : exploring Marcel Broodthaers's unfinished film project on Livinus van de Bundt's photo-painting practice (1962)
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2022 |
Wollaert, Raf |
Finalizing the case for Giannino Arnolfini : new information about the sitter in the Arnolfini portrait and his relation to Van Eyck
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2021 |
Verheyen, Jan |
Machine art : how Domela gained ground on the American modern art circuit in 1935/36
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2021 |
Jongh-Vermeulen, Ankie de |