Stutters

In 2014, Hurth encountered four boxes of cyanotype prints by Thomas W. Smillie, the first custodian and curator of the Smithsonian Institution’s collection of photography (active 1868 to 1917). In her new work Stutters, Hurth builds on several years’ research to rework the original cyanotypes into v...

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Bibliographische Detailangaben
1. Verfasser: Hurth, Dominique (KünstlerIn)
Weitere Verfasser: Noack, Ruth (VerfasserIn von ergänzendem Text), Conte, Kari (VerfasserIn von ergänzendem Text)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: New York, NY Printed Matter, Inc. 2021
Ausgabe:First edition
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Beschreibung
Zusammenfassung:In 2014, Hurth encountered four boxes of cyanotype prints by Thomas W. Smillie, the first custodian and curator of the Smithsonian Institution’s collection of photography (active 1868 to 1917). In her new work Stutters, Hurth builds on several years’ research to rework the original cyanotypes into visual montage, sequencing images that provide a record of Museum life as it documents a "national" collection in the making. The work presents photographs of empty display cabinets and staged objects within the Smithsonian’s holdings, following divergent threads of photographic history, exhibitionship and collection-making, as well as developments in various technological apparatuses across the late 19th and early 20th century. Through a meticulous process of xerox and printing reproduction, Hurth enlarges the world of each image and traces a photographic lineage, a process itself indebted to the cyanotype. Two overlapping sets of captions from the artist offer a subjective and scientific view of the photographs, inviting a cross-referencing of the "official," if incomplete, bibliographic record with one that moves more freely across a historical timeline as a way to reflect on gaps in the archive.
Beschreibung:Edition of 1200 copies
Beschreibung:368 ungezählte Seiten
1 Postkarte
ISBN:9780894391019
978-0-89439-101-9