| "The forest through the trees" : the pier as a seed plan at the Lady Chapel of Saint-Germain des Prés
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2021 |
Cohen, Meredith |
| Gothic logic : Panofsky's unwritten book on "The Gothic Style"
|
2021 |
Sears, Elizabeth |
| The Veronica images painted by Matteo Giovannetti for pope Urban V (1369)
|
2021 |
Zutshi, Patrick |
| The Kilcorban Madonna : joy and potential in an Irish wooden Virgin and Child
|
2021 |
Williamson, Beth |
| The "tabernacles's war" II, c. 1400 : new light on the competition between icons and relics in late medieval Rome
|
2021 |
Bolgia, Claudia |
| Epigraphic one-upmanship : remarks about text-image relationship in fifteenth century monumental sculpture
|
2021 |
Guillouët, Jean-Marie |
| The thirteenth-century pyx cover at Wells Cathedral
|
2021 |
Munns, John |
| If the sea were made of ink : a word on medieval visual poetry
|
2021 |
Sánchez Ameijeiras, Rocío |
| The evidence of the training of tour guides in the middle ages
|
2021 |
Rudolph, Conrad |
| Recapitulation: a medieval table of contents
|
2021 |
Berenbeim, Jessica |
| Fragments from Wisdom's House : the Lady chapel "juxta claustrum" at Wells Cathedral
|
2021 |
Reeve, Matthew M. |
| Cui bono? : the founding and funding of medieval religious institutions under Charles IV
|
2021 |
Opačić, Zoë |
| Working by wit alone : aspects of ingenuity in Dürer
|
2021 |
Marr, Alexander |
| Diamonds are forever : cell vaults and the beginning of history
|
2021 |
Kavaler, Ethan Matt |
| Musical wit and courtly connections at Cogges
|
2021 |
Slater, Laura |
| Mining Mount Tabor : the Schauinsland Window at the Minster of Freiburg im Breisgau
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2021 |
Donkin, Lucy |
| The ecclesiastical textiles of Humphrey, Duke of Gloucester
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2021 |
Heard, Kate |
| Wild forms : the art of East Anglian wodewoses
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2021 |
Mills, Robert |
| Inventing gothic painting : creating "fine art"
|
2021 |
Michael, M. A. |
| Linearity and the gothic style : architectural conception in England and France, 1200-1400
|
2021 |
Hillson, James |
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