| Het esthetisch fundament van het Shell-gebouw (1938-42) van J.J.P. Oud
|
2020 |
Taverne, Ed |
| Mies van der Rohe's competition entry for the German Pavilion at the Brussels World Fair 1935
|
2020 |
Tegethoff, Wolf |
| Arthur Staal, notes on the Greek landscape
|
2020 |
Panigyrakis, Phoebus |
| De architect en de auto : de dialectiek van de statische en dynamische voertuigen
|
2020 |
Verbrugge, Bart |
| An extraordinary photograph : Gerrit Rietveld, Mart Stam and El Lissitzky at the Schröder House, 1926
|
2020 |
Thoor, Marie-Thérèse van |
| Collage city? : visualising Theo van Doesburg's Europäische Architektur
|
2020 |
White, Michael |
| Voor Herman van Bergeijk
|
2020 |
Hertzberger, Herman |
| The Orient of Hendrik Petrus Berlage
|
2020 |
Dalla Caneva, Alessandro |
| André Lurçat, agent français des Néerlandais
|
2020 |
Cohen, Jean-Louis |
| Stam again or Hanomag, Mercedes and Tatra
|
2020 |
Máčel, Otakar |
| De Stijl and "Dutch identity"
|
2020 |
Rijk, Timo de |
| Careful considerations : notes on some drawings of Palazzo Te in Mantua
|
2020 |
Bulgarelli, Massimo |
| Imperfect portrayal of a friend
|
2020 |
Carpenzano, Orazio |
| The old guard modernists in Western Europe and post-war urban visions : Cornelis van Eesteren as jury member of the "Hauptstad Berlin" competition 1957-58
|
2020 |
Hein, Carola |
| The Wendingen edition : what Frank Lloyd Wright wanted Holland to know in 1925
|
2020 |
Naegele, Daniel Joseph |
| J.J.P. Oud und die Freie Akademie der Künste in Hamburg
|
2020 |
Frank, Hartmut |
| "A house with skin against weather conditions" : Van Eesteren and the building materials of Maison Particulière (1923)
|
2020 |
Broekhuizen, Dolf |
| W.M. Dudok en de Raad van Vijf : conflicterende visies op de wederopbouw van Den Haag, 1945-50
|
2020 |
Thomas, Huub |
| Sind Steine unschuldig? : zum Umgang mit NS-Architektur
|
2020 |
Nerdinger, Winfried |
| A portrait of the architectural historian as a young man
|
2020 |
Leoni, Giovanni |
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