| "A house with skin against weather conditions" : Van Eesteren and the building materials of Maison Particulière (1923)
|
2020 |
Broekhuizen, Dolf |
| W.M. Dudok en de Raad van Vijf : conflicterende visies op de wederopbouw van Den Haag, 1945-50
|
2020 |
Thomas, Huub |
| Sind Steine unschuldig? : zum Umgang mit NS-Architektur
|
2020 |
Nerdinger, Winfried |
| A portrait of the architectural historian as a young man
|
2020 |
Leoni, Giovanni |
| Architecture at the Museum Boijmans Van Beuningen
|
2020 |
Simon Thomas, Mienke |
| Unostentatiousness examples of relations to the ordinary in modern Danish architecture
|
2020 |
Vindum, Kjeld |
| The 2017 reconstruction of Theo van Doesburg and Cornelis van Eesteren's 1923 model of Maison d'Artiste
|
2020 |
Janssen, Hans |
| Knud Lönberg-Holm and Cornelis van Eesteren and the concept of circular production
|
2020 |
Täckman, Adrian |
| Goodbye history
|
2020 |
Wagenaar, Cor |
| Delft, city of art : Herman Rosse's restoration plan for the seven-centuries-old Prinsenstad
|
2020 |
Wijk, Charlotte van |
| Het is niet helemaal gelopen zoals het moest
|
2020 |
Colenbrander, Bernard |
| The Orient of Hendrik Petrus Berlage
|
2020 |
Dalla Caneva, Alessandro |
| André Lurçat, agent français des Néerlandais
|
2020 |
Cohen, Jean-Louis |
| Stam again or Hanomag, Mercedes and Tatra
|
2020 |
Máčel, Otakar |
| De Stijl and "Dutch identity"
|
2020 |
Rijk, Timo de |
| Careful considerations : notes on some drawings of Palazzo Te in Mantua
|
2020 |
Bulgarelli, Massimo |
| Imperfect portrayal of a friend
|
2020 |
Carpenzano, Orazio |
| The old guard modernists in Western Europe and post-war urban visions : Cornelis van Eesteren as jury member of the "Hauptstad Berlin" competition 1957-58
|
2020 |
Hein, Carola |
| The Wendingen edition : what Frank Lloyd Wright wanted Holland to know in 1925
|
2020 |
Naegele, Daniel Joseph |
| J.J.P. Oud und die Freie Akademie der Künste in Hamburg
|
2020 |
Frank, Hartmut |
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