| Rubens, Martínez del Mazo and the decoration of the prince's apartments in the Alcázar of Madrid
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2021 |
Rodríguez Rebollo, Ángel |
| "It copies the Crucifixion from Alsemberg" : on the influence of Coxcie on the calvary of Hendrick de Clerck for the church of Saint-Josse-ten-Noode in Brussels
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2021 |
Diéguez-Rodríguez, Ana |
| Introduction
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2021 |
Lamas-Delgado, Eduardo |
| Les copies de Marcellus Coffermans pour le marché espagnol
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2021 |
Grappasonni, Marie |
| Spanish fortunes of a Flemish "Ecce Homo" : on the Bouts family's originals, workshop replicas, Flemish copies, and Hispanic imitations
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2021 |
Herrero-Cortell, Miquel Àngel |
| Imitation, inspiration or innovation? : Juan de Flandes and the use of models from illuminated manuscripts
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2021 |
Jennings, Nicola |
| Copies emulating Federico Zuccari's model for the Annunziata Church in Rome (1570-1600)
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2021 |
Moralejo Ortega, Macarena |
| The copies by Miguel Manrique and western Mediterranean commercial networks
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2021 |
Lamas-Delgado, Eduardo |
| Mastering divine faces : Titian's sacred images of Christ and the Virgin for Charles V
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2021 |
Harth, Astrid |
| The reflection of "Flandes" in the Spanish royal collections : copies after Rubens in the Patrimonio Nacional
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2021 |
García Cueto, David |
| Las copias de los retratos de Antonio Moro durante su segunda estancia en España (1559-1561)
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2021 |
Pérez de Tudela, Almudena |
| Castilian legacy and Juan de Flande's Miraflores copy
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2021 |
Weiss, Jessica |
| "It is a copy afrer Rubens of Van Dyck" : copying Flemish paintings in Granada
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2021 |
García Luque, Manuel |
| Jan Gossaert's "Deesis" : copying Van Eyck's Ghent altarpiece : some new evidence on the use of the painting at El Escorial as a doctrinal and artistic icon
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2021 |
Pérez Preciado, José Juan |
| Michiel Coxcie's copies for the Spanish court : a technical comparison between the copy of Van Eyck's Ghent altarpiece and the copy of Rogier van der Weyden's "Descent from the Cross"
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2021 |
Alba, Laura |
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