| The global market trajectories of two brass leopards from Benin City (1897-1953)
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2021 |
Bodenstein, Felicity |
| "Portrait of Space" : Lee Miller's photograph as surrealist contact zone
|
2021 |
Upmeyer, Katharina |
| Two-faced : translations of a portrait of Abdülhamid II
|
2021 |
Nolan, Erin Hyde |
| Critical appropriations of modernity : Michel Écochard's 8 by 8 meter housing grid, Hay Mohammadi, Casablanca
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2021 |
Strava, Cristiana |
| "The Camposanto in Pisa" by Leo von Klenze : the encounter between a classicist and an Islamic artwork
|
2021 |
Heese, Lisa |
| Translating prehistory : empathy and rock painting facsimiles in the New York Museum of Modern Art
|
2021 |
Page, Westrey |
| Qajar women and Madonnas? : "Mother and Child" by Muhammad Hasan
|
2021 |
Verthein, Janna |
| Art and sociability in colonial India : the "Behar Amateur Lithographic scrapbooks"
|
2021 |
Young, Tom |
| Portrait of Ali Pasha : cultural mobility on the periphery of empire
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2021 |
Neumeier, Emily |
| Migratory memories : a suitcase as photo archive
|
2021 |
Messner, Anna Sophia |
| On the "objectscape" of transculturality : an introduction
|
2021 |
Troelenberg, Eva-Maria |
| The arts of science in the contact zone : a satirical picture
|
2021 |
Chatterjee, Sria |
| A "non-existing existence" in the contact zone : Emily Jacir's "stazione" (2008-2009)
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2021 |
Mönninghoff, Lea |
| Between the visual and the aural : Elias Canetti's "The Voices of Marrakesh"
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2021 |
Krayer, Isabella |
| Double trophy : "Gou" by Akati Ekplékendo
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2021 |
Schankweiler, Kerstin |
| Transnational encounters : a photograph of Mozaffar al-Din Mizra from an Italian mission to Persia
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2021 |
Helbig, Elahe |
| Becoming a masterpiece? : the "Batcham Mask" and its display at the Museum Rietberg in Zurich
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2021 |
Blem, Rhea |
| Cytherian China
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2021 |
Weiß, Matthias |
| The Weizmann House : staging the nation-building process of Israel
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2021 |
Hull, Sonja |
| A modernist display at the Barnes Foundation : curating formalism, primitivism, and democracy
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2021 |
Boyd, Alison |
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