Anti-portraiture : challenging the limits of the portrait

Anti-portraiture challenging the limits of the portrait

"The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarshi...

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Bibliographische Detailangaben
Weitere Verfasser: Johnstone, Fiona (HerausgeberIn), Imber, Kirstie (HerausgeberIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: London ; New York ; Oxford ; New Dehli ; Syndey Bloomsbury Visual Arts 2020
Schlagworte:
Geschichte 1910-2020 > Geschichte 1990-2020 > Portraits in art / bicssc > Portraits > Philosophy > Selbstbildnis > Kunst > Subjektivität > Kunstwissenschaft > Bildnis > Aufsatzsammlung
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Subjects unknown : found images and the depersonalization of portraiture 2020 Mudie, Ella
Decapitations : the portrait, the anti-portrait ... and what comes after? 2020 Newman, Michael
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Relics, remains and other objects : non-mimetic portraiture in the age of AIDS 2020 Johnstone, Fiona
˜Anœ anti-portraitist in the realm of letters : Gertrude Stein's theory of seeing 2020 Shin, Ery
Hiding in plain sight : gazing at Laura Swanson's Anti-Self-Portraits 2020 Lindgren, Kristin
Introducing the anti-portrait 2020 Johnstone, Fiona
"˜Aœ whole man, made of all men" : Giacometti, existentialism and the "singular universal" 2020 Wiesinger, Véronique
Filling the narrative void : material portraits in the Chilean post-dictatorship 2020 Corbin, Megan
"Closeness, or the appearance of closeness" : Robert Morris's critical self-portraits and the expanding artworld of 1960s America 2020 Hodge, David
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