| Becoming a masterpiece? : the "Batcham Mask" and its display at the Museum Rietberg in Zurich
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2021 |
Blem, Rhea |
| Cytherian China
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2021 |
Weiß, Matthias |
| The Weizmann House : staging the nation-building process of Israel
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2021 |
Hull, Sonja |
| A modernist display at the Barnes Foundation : curating formalism, primitivism, and democracy
|
2021 |
Boyd, Alison |
| Multiple temporalities and the scene of time : a pair of wooden doors at the Museum of Islamic Art in Cairo
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2021 |
Loan, Theodore van |
| Constellations of memory and representation : a lunar sample display in Al Ain, Abu Dhabi
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2021 |
Troelenberg, Eva-Maria |
| Displaying cross-culturality : a water basin from Mosul in Berlin
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2021 |
Sobotka, Maria |
| Baubo on the Pig : travel across disciplines
|
2021 |
Tevebring, Frederika |
| Portrait of Ali Pasha : cultural mobility on the periphery of empire
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2021 |
Neumeier, Emily |
| Migratory memories : a suitcase as photo archive
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2021 |
Messner, Anna Sophia |
| On the "objectscape" of transculturality : an introduction
|
2021 |
Troelenberg, Eva-Maria |
| A "non-existing existence" in the contact zone : Emily Jacir's "stazione" (2008-2009)
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2021 |
Mönninghoff, Lea |
| The arts of science in the contact zone : a satirical picture
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2021 |
Chatterjee, Sria |
| The global market trajectories of two brass leopards from Benin City (1897-1953)
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2021 |
Bodenstein, Felicity |
| "Portrait of Space" : Lee Miller's photograph as surrealist contact zone
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2021 |
Upmeyer, Katharina |
| Two-faced : translations of a portrait of Abdülhamid II
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2021 |
Nolan, Erin Hyde |
| Critical appropriations of modernity : Michel Écochard's 8 by 8 meter housing grid, Hay Mohammadi, Casablanca
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2021 |
Strava, Cristiana |
| "The Camposanto in Pisa" by Leo von Klenze : the encounter between a classicist and an Islamic artwork
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2021 |
Heese, Lisa |
| Translating prehistory : empathy and rock painting facsimiles in the New York Museum of Modern Art
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2021 |
Page, Westrey |
| Qajar women and Madonnas? : "Mother and Child" by Muhammad Hasan
|
2021 |
Verthein, Janna |
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