Object - event - performance : art, materiality, and continuity since the 1960s

Object - event - performance art, materiality, and continuity since the 1960s

Much of the artwork that rose to prominence in the second half of the twentieth century took on novel forms - such as installation, performance, event, video, film, earthwork, and intermedia works with interactive and networked components - that pose a new set of questions about what art actually is...

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Bibliographische Detailangaben
Körperschaft: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture (Herausgebendes Organ)
Weitere Verfasser: Hölling, Hanna (HerausgeberIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: New York City Bard Graduate Center 2022
Schriftenreihe:Cultural histories of the material world
Schlagworte:
Geschichte 1960-2022 > Museum > Aktionskunst > Performance > Ästhetik > Konservierung > Videokunst > Medienkunst > Konferenzschrift
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Titel Jahr Verfasser
Introducing "Fluxus with Tools" 2022 Higgins, Hannah
Video art's past and present "Future Tense" : the case of Nam June Paik's satelite works 2022 Zinman, Gregory
˜Theœ chepness of writing paper and code : materiality, exhibiting, and audiences after New Media Art 2022 Graham, Beryl
Exhausting conservation : object, event, performance in Franz Erhard Walther's "Werkstücke" 2022 Hölling, Hanna
Resurrecting Hannah Wilke's : "Home to a Large Red Lipstick" 2022 Gyorody, Andrea
Introduction : object - event - performance 2022 Hölling, Hanna
˜Theœ propensity toward openess : "Bloch" as object, event, performance 2022 Hedinger, Johannes M.
In the viewshed : land (art) preservation and collective constituencies 2022 Uchill, Rebecca
Enlivened pieces : Richard Tuttle at the Whitney Museum of American Art, 1975 2022 Neubauer, Susanne
Sometimes an onion, sometimes an artwork : Simone Forti and the choreographic logic of objects and institutions 2022 Metcalf, Megan
Mutable and durable : the performance score after 1960 2022 Amato, Alison d'
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