Baroque music in post-war cinema performance practice and musical style

Studies of pre-existing music in narrative cinema often focus on a single film, composer or director. The approach here adopts a wider perspective, placing a specific musical repertoire - baroque music - in the context of its reception to explore its mobilisation in post-war cinema. It shows how var...

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Bibliographische Detailangaben

1. Verfasser:	Greig, Donald (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	Cambridge ; New York ; Port Melbourne ; New Delhi ; Sydney Cambridge University Press 2021
Schriftenreihe:	Cambridge elements: Elements in music since 1945
Schlagworte:	Geschichte 1950-1980 > Filmmusik > Musik > Barock > Rezeption
Online Zugang:	https://doi.org/10.1017/9781108900614
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