| Only connect : the role of public sculpture in Staines-upon-Thame
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2018 |
Banerjee, Jacqueline |
| Pop goes the "Elephant" : Paolozzi's design for Nairn Floors Ltd, 1973
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2018 |
Avery, Charles |
| Demonic energy : David McFall's "Sir Winston Churchill", 1958-59
|
2018 |
Black, Jonathan |
| Jacqueline Stieger and Alfred Gruber : sculptors, architects and the challenge of compromise
|
2018 |
Mulcahy-Parker, Gerardine |
| Reading Hegel's "Silenus with the Infant Bacchus"
|
2018 |
Bailey, Rowan |
| Edward Caldwell Spruce : a Leeds sculptor and his work
|
2018 |
Glew, Alison J. |
| The naval portrait of Eric Kennington, 1940 : sculptor as wartime propagandist
|
2018 |
Eyres, Patrick |
| Selling angels : the Apuan trade in London's funerary marble from 1850 to 1930
|
2018 |
Berresford, Sandra |
| An afterlife in sculpture : the posthumous display of sculptural images of G. F. Watts in London
|
2018 |
Bryant, Barbara |
| Introduction : Benedict William Read (1645-2016)
|
2018 |
Barnes, Joanna R. |
| Architecture, sculpture and ornament : an unpublished pair of Chelsea Derby tripod perfume burners
|
2018 |
Lomax, James |
| Local and global : the Memorial to Sir John Franklin in Hobart, Tasmania
|
2018 |
Inglis, Alison |
| "Too much of the Greek and not enough of Rodin" : William Wright and Auckland Centennial Memorial
|
2018 |
Stocker, Mark |
| A sculptor for our time : bringing Peter Péri into the light
|
2018 |
Whiteley, Gillian |
| The yellow book that came from France : Rodin, Franco-British literary connections and the ethics of form
|
2018 |
Mitchell, Claudine |
| Poor mute witness : the ontology of things in Herbert Read's "The Green Child"
|
2018 |
Paraskos, Michael |
| "Suitable sculptural enrichment" : the empty pediments of the National Gallery of Art, Washington DC
|
2018 |
Murphy, Paula |
| Electric beasties : Hew Lorimer's reliefs for the hydro-electric generating station at Fasnakyle
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2018 |
Eustace, Katharine |
| Fratelli Fabbricotti and the marble trade in nineteenth-century London
|
2018 |
Ward-Jackson, Philip |
| Continuity and change : the foundation of the Sculptors' Institute and the Royal Society of British Sculptors
|
2018 |
Compton, Ann |
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