| Queer heritage : Central Europe and beyond : a roundtable discussion
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2022 |
Iancu, Valentina |
| Queering Alfred Gell's art nexus : conceptualising non-normative relations and queer methods in the art and ethnological museum context
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2022 |
Bredenbröker, Isabel |
| "Unreal, purely formal relations" : realism in Christian Schad's drawings of queer nightspots for "Ein Führer durch das lasterhafte" Berlin (1931)
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2022 |
Levinsohn, James Michael |
| Circulation of queer ideas in state Socialist Hungarian People's Republic
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2022 |
Benedek, Katalin |
| The dissident power of queer art and curating in Central Eastern Europe
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2022 |
Leszkowicz, Paweł |
| Queer heritage in Central Europe : desperately seeking a queer
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2022 |
Kusek, Robert |
| Paolo Pagani's St. Sebastian in Krakow
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2022 |
Kurzej, Michał |
| "A work of art is an object that necessitates contemplation". : latency of visual studies within the Vienna School of Art History?
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2020 |
Murár, Tomáš |
| Constructing the canon : exhibiting contemporary Polish art abroad in the Cold War era
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2020 |
Majewski, Piotr Maciej |
| Archaeology of the present : Israeli art after the Al-Aqsa Intifada
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2020 |
Kędziora, Ewa |
| "Through a microscope from a telescopic distance" : Witkacy, Cameron and the photography of faces
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2020 |
Fedorowicz-Jackowska, Aleksandra |
| The grass is greener : Władysław Hasior in an ecocritical perspective
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2020 |
Kolenda, Karolina |
| Gratitude. The Red Army Memorial in Szczecin : a geographical, topographical, and biographical perspective
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2020 |
Kubiak, Szymon Piotr |
| Defining reality : photography and the surrealist concept of the image in Poland in the 1940s
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2020 |
Dworniczak-Leśniak, Kamila |
| Intimate listening and sonic solidarity : radio in the works of Radio Earth Hold collective as a way towards the sonic turn
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2020 |
Wódz, Marta |
| Face substances - the rhetoric of Kapists' self-portraits : between self-reflection and confession
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2020 |
Kiepuszewski, Łukasz |
| The impact of historic events on the formation of the creative method of Ernest Kontratovych in the early period (1930s-1940s) : between self-reflection and confession subcarpathian Ruthenia
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2020 |
Cheipesh, Anna |
| Applying the avant-garde : display experience in the Exhibition of Modern Art (1948)
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2019 |
Doroszuk, Hanna |
| Tobacco's appeal to the senses and the early modern smoker's still life
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2019 |
Saviello, Julia |
| Blindness as empathy : the politics of touch in works by Dan Sterup-Hansen
|
2019 |
Westphal Eriksen, Karen |
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