Prints and the beginnings of global imagery

Prints were, to a much greater extent than they are now, the Cinderella of art history, and little space was available for one’s articles, however laboured over, well-researched and original. Prints travelled, although more slowly, outside Western Europe. The first use of European prints by Africans...

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Veröffentlicht in:	The reception of the printed image in the fifteenth and sixteenth centuries / edited by Grażyna Jurkowlaniec and Magdalena Herman
1. Verfasser:	Massing, Jean Michel (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2021
Schlagworte:	Jesuiten > Katholische Kirche > Geschichte 1470-1650 > Religiöse Druckgraphik > Mission > Globalisierung
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Titel	Jahr	Verfasser
Playing with destiny : three late fifteenth-century uncut playing-card sheets from Florence and Urbino	2021	Vandi, Loretta
Gillet and Germain Hardouyn's print-assisted paintings : prints as underdrawings in sixteenth-century French books of hours	2021	Warren, Maureen
Prints and the beginnings of global imagery	2021	Massing, Jean Michel
Cultivating designs : early ornamental prints and creative reproduction	2021	Wehn, James
Limitations of the reception and consumption of illustrations in "Chronica Polonorum" by Maciej of Miechów (Cracow, 1521)	2021	Mroziewicz, Karolina
Speaking images and speaking to the images : inscriptions in religious prints published by Antonio Lafreri	2021	Kocsis, Alexandra
The set of the "Four Elements" by Hendrick Goltzius and the use of engravings in the seventeenth century	2021	Tátrai, Júlia
Eroticism under a watchful eye : censorship and alteration of woodcuts in Ovid's "Metamorphoses" between the fifteenth and the sixteenth centuries	2021	Capriotti, Giuseppe
People between multiplied things and modified images : introduction	2021	Jurkowlaniec, Grażyna
Multiplicity and absence : the negative evidence of interactive prints	2021	Schmidt, Suzanne Kathleen Karr
A foreign affair : Thomas Gemini and his booklet of moresque designs	2021	Speelberg, Femke
Different confessions, different visions of heaven? : visual eschatology, cross-confessional conformity and confessional identity marking in the picture motet "The Adoration of the Lamb" and in its reception	2021	Handl, András
Changing "Fortunes" : Dürer's "Nemesis" and the Beham brothers	2021	Łazicka, Małgorzata
Saint George from Greater Poland : complexities of the reception of Albrecht Dürer's engraving	2021	Sikorska, Joanna
A"passion" for prints : Netherlandish engravings in an early sixteenth-century prayer book	2021	Horbatsch, Olenka

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