Gillet and Germain Hardouyn's print-assisted paintings prints as underdrawings in sixteenth-century French books of hours
This chapter discusses the necessity of distinguishing between painted prints and print-assisted paintings. While a firm distinction between print and painting can be difficult to delineate, simply designating everything that blurs media boundaries a "hybrid" will flatten the nuances of bo...
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Veröffentlicht in: | The reception of the printed image in the fifteenth and sixteenth centuries / edited by Grażyna Jurkowlaniec and Magdalena Herman |
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Format: | UnknownFormat |
Sprache: | eng |
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2021
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