| G.F. Watts's other "Hope" (1891) : anatomy of a version
|
2020 |
Bryant, Barbara |
| The uncertain status of William Holman Hunt's oil replicas
|
2020 |
Bronkhurst, Judith |
| Ford Madox Brown, cultural experience, and the promise of the replica
|
2020 |
Trodd, Colin |
| Albert Moore : themes and variations
|
2020 |
Green, Richard |
| Dadd's doubles
|
2020 |
Tromans, Nicholas |
| Is he repeating himself? : creative, aesthetic, and commercial dialogue in the replicas of John Frederick Lewis
|
2020 |
Llewllyn, Briony |
| Patrons' desire : Dante Gabriel Rossetti's prolific replicas
|
2020 |
Codell, Julie F. |
| Elizabeth Thompson Butler : a gendered story of replication?
|
2020 |
Nott, Dorothy |
| From replica to original : Abraham Solomon and the market for modern-life subjects
|
2020 |
Fletcher, Pamela |
| Victorian artists' autograph replicas : auras, aesthetics, copyright, and economics
|
2020 |
Codell, Julie F. |
| William Powell Frith's double life : an artist coping with a changing market
|
2020 |
Woodcock, Sally |
| "Splendid architectural paintings" : the replicas of David Roberts
|
2020 |
Matyjaszkiewicz, Krystyna |
| "Mere dead copies"? : Frank Holl's "Newgate" and the lives of painted replicas
|
2020 |
Korda, Andrea |
| The American replica : the politics and status of artists' autograph replicas in the Gilded Age
|
2020 |
Briggs, Jo |
| Repetition, aestheticism, and copyright law in the art practice of Albert Moore
|
2020 |
Asleson, Robyn |
| Celebrated variations on a theme : the replicas of Edward Coley Burne-Jones
|
2020 |
Mann, Fiona |
| Creating and meeting demand : James Tissot's London replicas
|
2020 |
Matyjaszkiewicz, Krystyna |
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