| The orphan image
|
2020 |
Villa, Federica |
| Translated bodies: a "cartographic" approach
|
2020 |
Romani, Silvia |
| Bodies that matter: miniaturisation and the origin(s) of "art"
|
2020 |
Cometa, Michele |
| Animated statues and petrified bodies: a journey inside fantasy cinema
|
2020 |
Bertolini, Michéle |
| On Jack Torrance as a fossil form
|
2020 |
Le Maître, Barbara |
| The well-tempered memorial: abstraction, anthropomorphism, embodiment
|
2020 |
Pinotti, Andrea |
| Learning from stone : introduction
|
2020 |
Violi, Alessandra |
| Funeral eulogy: post-mortem figures and redeemed bodies, in images
|
2020 |
Farinotti, Luisella |
| Brancusi's "Sculpture for the Blind"
|
2020 |
Grazioli, Elio |
| The impassibly fleshly, the statue of the impossible
|
2020 |
Fimiani, Filippo |
| Theatre and memory: the body-as-statue in early modern culture
|
2020 |
Perletti, Greta |
| Technical images and the transformation of matter in eighteenth-century Tuscany
|
2020 |
Luppi, Anna |
| Monuments of the heart: living tombs and organic memories in contemporary culture
|
2020 |
Damiani, Sara |
| Frozen into allegory: Cleopatra's cultural survival
|
2020 |
Bronfen, Elisabeth |
| The celluloid and the death mask: Bazin's and Eisenstein's image anthropology
|
2020 |
Somaini, Antonio |
| Pantomime in stone: performance of the pose and animal camouflage
|
2020 |
Grespi, Barbara |
| The ephemeral cathedral: bodies of stone and configurations of film
|
2020 |
Hediger, Vinzenz |
| Bodies' strange stories: "Les Revenants" and "The Leftovers"
|
2020 |
Malavasi, Luca |
| Glass, mixed media, stone: the bodily stuffs of suspended animation
|
2020 |
Violi, Alessandra |
| Cinema, phenomenology and hyperrealism
|
2020 |
Conte, Pietro |
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