Afterimage of S-21 distant and proximate spectatorship and the legacies of Cold War human rights

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Bibliographische Detailangaben
Veröffentlicht in:	Photography and its publics / edited by Melissa Miles and Edward Welch
1. Verfasser:	Phu, Thy (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2020
Schlagworte:	Rote Khmer > Tuol Sleng Genocide Museum > Geschichte 1975-1979 > Gedenkstätte > Völkermord > Gefangener > Gefängnis > Dokumentarfotografie
Tags:	Tag hinzufügen Keine Tags, Fügen Sie den ersten Tag hinzu!

Titel	Jahr	Verfasser
Photography's interdisciplinary publics : a tribute to Professor Andrea Noble	2020	Welch, Edward
Photography, visual activism and counterpublics : the campaign for nuclear disarmament in post-war Britain	2020	Allbeson, Tom
Afterimage of S-21 : distant and proximate spectatorship and the legacies of Cold War human rights	2020	Phu, Thy
Is commercial photography a public evil? : beyond the critique of stock photography	2020	Frosh, Paul
Selfies and recontextualization : still life self-imaging in social media	2020	Zappavigna, Michele
A little history of photographic displacements : from Chile from Within (1990) to Chile desde adentro (2015)	2020	Donoso Macaya, Ángeles
Photography, truth and the radicalized public sphere in Weimar Germany	2020	Zervigón, Andrés Mario
"Match nous a raconté une histoire" : thinking with Roland Barthes about photography, publics and the exercise of power in post-war France	2020	Welch, Edward
Hospitable looking : towards a different way of seeing the war in Syria	2020	Adelman, Rebecca A.
photography's publics : introduction	2020	Miles, Melissa
Photography and public culture	2020	Hariman, Robert
Photography, Aboriginal rights and the 1967 Australian referendum	2020	Miles, Melissa