A considerable advantage: Joint account and the transatlantic art market c. 1900
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2019 |
Feigenbaum, Gail |
From Realism to Socialist Realism : the revolutionary interpretation of nineteenth-century European Realist art in Red China of the mid-twentieth century
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2019 |
Liu, Jing |
World War II lingers in restitution claims for nineteenth- and early twentieth-century art
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2019 |
Flescher, Sharon |
A conservative becomes progressive: P.A.J. Dagnan-Bouveret's "Horses at the Watering Trough" reconsidered
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2019 |
Weisberg, Gabriel P. |
Art of the long and enduring nineteenth century: order from chaos
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2019 |
Dixon, Laurinda S. |
The Old Master tradition in the United States: essential and rejected
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2019 |
Webster, Sally |
Crisscrossing the channel, depicted by themselves
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2019 |
Mainardi, Patricia |
The Heijermans case: censorship of the female (artist's) gaze in Fin-De-Siècle Brussels
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2019 |
Sterckx, Marjan |
The Dreyfus Rembrandts: smoke with no gun
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2019 |
Schwartz, Gary |
A failed commission for the Washington Mall : Aristodemo Costoli and the "Columbus Group"
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2019 |
Freddolini, Francesco |
Greuze girls and the painterly embodiment of sexual pleasure
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2019 |
Milam, Jennifer Dawn |
The "Hysterical" goddess: Jean-Léon Gérôme's "Bellona"
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2019 |
Zalewski, Leanne |
The interaction of artists, dealers, and collectors at two atypical studio buildings in nineteenth-century Paris
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2019 |
Fidell-Beaufort, Madeleine |
Chopin and caricature
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2019 |
Murawska-Muthesius, Katarzyna |
Inside out: Fortuny's "Delphos" and the Renaissance "Camicia"
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2019 |
Nichols, Charlotte |
Courbet and the art of making waves
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2019 |
Mansfield, Elizabeth C. |
The material culture and gender of print connoisseurship in 1890s Paris
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2019 |
Iskin, Ruth E. |
Suffering for art : a nineteenth-century revival of a seventeenth-century motif
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2019 |
Dixon, Laurinda S. |
Sonic strategies: Manet's street singers
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2019 |
Dolan, Therese |
"Strange abominations" : French tableau photography and its critics
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2019 |
Dahlberg, Laurie Virginia |