The practice of musical improvisation dialogues with contemporary musical improvisers
Starting an Improvisation -- The Mental State During an Improvisation -- Listening to the Other Musicians, the Human Factor, the Strategies -- Memory and Form -- Process vs. Aesthetic Result, Improvisation as a Tool to Make Music vs. Music as a Tool to Improvise, Improvisation vs. Composition -- Tal...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | Starting an Improvisation -- The Mental State During an Improvisation -- Listening to the Other Musicians, the Human Factor, the Strategies -- Memory and Form -- Process vs. Aesthetic Result, Improvisation as a Tool to Make Music vs. Music as a Tool to Improvise, Improvisation vs. Composition -- Talking about Improvisation and Music in General -- Non-idiomatic Improvisation, Experimental Music, Genre Labels -- Silence and Dynamics -- Sounds as Material -- Instrument and Technique -- Solo improvisation -- The Concert Situation, the Audience, the Published Recordings -- Some Political Issues -- How I Came to Play This Music -- How I Listen to Music, the Music I Listen to, Some Hidden Hardens -- Miscellaneous -- List of the Musicians Interviewed -- An Ear for Discord: Improvise, They Say -- Diagrams "A range of 50 musical improvisers discuss the complex processes at work in their practice."-- |
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| Beschreibung: | ix, 213 Seiten Illustrationen |
| ISBN: | 9781501349768 978-1-5013-4976-8 |