The inaudible as an effect tactics of sound erasure in Max Neuhaus
About his sound installation presented at MoMA in 1978, Max Neuhaus explained: "the sound itself was inaudible; what was audible was its effect on other sounds. It was a terrain of an inaudible sound which modified all the existing audible sounds." In this work, the apparatus was invisible...
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| Veröffentlicht in: | Kunsttexte.de |
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| Format: | Online |
| Sprache: | eng |
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28.01.2020
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