| Something's missing : a note on the historiography of Rubens's "Rockox Tryptych"
|
2019 |
Jonckheere, Koenraad |
| What price innovation? : the cost of printing the Paris Polyglot Bible
|
2019 |
Miller, Peter N. |
| Rembrandt's so-called "Faust" as self-portrait of the artist-kabbalist in the studio
|
2019 |
Binstock, Benjamin |
| William Kentridge : Renaissance man of Johannesburg
|
2019 |
Koerner, Margaret K. |
| Kitchen scenes and performance at the Antwerp Dinner Party
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2019 |
Goldstein, Claudia |
| Drawings from the Gennari inventory of 1719
|
2019 |
White, Veronica Maria |
| Capitals between Rome and Nuremberg : creating and transferring style c. 1470-75
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2019 |
Baldasso, Renzo |
| "Imitation and its discontents" : Hercules Segers's window
|
2019 |
Levesque, Catherine |
| Venus, slashed : objectification and artistic agency
|
2019 |
Behrmann, Carolin |
| The anthropomorphic drive : similitude, simulation, empathy
|
2019 |
Pinotti, Andrea |
| Angels and demons : considerations on the aesthetics of ground plan drawings in the Renaissance
|
2019 |
Benelli, Francesco |
| The lemon's lure
|
2019 |
Westermann, Mariët |
| Vosterman, Van Dyck, and Rubens's printmaking enterprise
|
2019 |
Lobis, Victoria Sancho |
| Mise en abyme : a reframing
|
2019 |
Ginzburg, Carlo |
| Rubens and the twelve years' truce : Reconsidering the Adoration of the Magi for the Antwerp Town Hall
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2019 |
Fucci, Robert |
| Florilegium : the origins of the flower still life in the early modern Netherlands
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2019 |
Bass, Marisa Anne |
| Images of power : Dinglinger's Dresden miniatures
|
2019 |
Silver, Larry |
| Guido Reni, Antonio Bruni, and a poetics of response
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2019 |
Unglaub, Jonathan |
| "Divine" or not? : poetic responses to the art of Michelangelo
|
2019 |
Gamberini, Diletta |
| Le Cacce dei Papi
|
2019 |
Campitelli, Alberta |
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