Verdant architecture and tripartite chronography: Toeput and the Italian Villa tradition

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Bibliographische Detailangaben
Veröffentlicht in:	Green worlds in Early Modern Italy / edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti
1. Verfasser:	Nonaka, Natsumi (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2019
Schlagworte:	Toeput, Lodewyk > Gartenkunst > Gartengestaltung > Italien
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Titel	Jahr	Verfasser
Titian: Sylvan Poet	2019	Prosperetti, Leopoldine
"The "Sala delle Asse" as "Locus amoenus": revisiting Leonardo da Vinci's arboreal imagery in Milan's Castello Sforzesco"	2019	Pederson, Jill
Naturalism and antiquity, redefined, in Vasari's "Verzure"	2019	Goodchild, Karen Hope
Of oak and elder, cloud-like angels, and a bird's nest: The graphic interpretations of Titian's "The Death of St. Peter Martyr" by Martino Rota, Giovanni Battista Fontana, Valentin Lefebre, John Baptist Jackson, and tehir successors	2019	Peinelt-Schmidt, Sabine
"Honesta voluptas": the Renaissance justification for enjoyment of the natural world	2019	Holberton, Paul
The verdant as violence: the storm landscapes of Herman van Swanevelt and Gaspard Dughet	2019	Russell, Susan
The green places of Fra Filippo Lippi and Sandro Botticelli	2019	Compton, Rebekah
Anthropomorphic trees and animated nature in Lorenzo Lotto's 1509 "St. Jerome"	2019	Oettinger, April
Verdant architecture and tripartite chronography: Toeput and the Italian Villa tradition	2019	Nonaka, Natsumi
A fresh vision of the natural world in Renaissance Italy : Introduction	2019	Goodchild, Karen Hope
A brief journey through the green world of Renaissance Italy : Afterword	2019	Barolsky, Paul
From Venice to Tivoli: Girolamo Muziano and the "invention" of the Tiburtine landscape	2019	Tosini, Patrizia