"Vontade construtiva" Latin America's geometric abstract identity

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Bibliographische Detailangaben
Veröffentlicht in:	New geographies of abstract art in postwar Latin America / edited by Mariola V. Alvarez and Ana M. Franco
1. Verfasser:	Maroja, Camila (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2019
Schlagworte:	Geschichte 1970-2000 > Kunst > Lateinamerika
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Titel	Jahr	Verfasser
The painting devoured : El Techo de la Ballena and the destruction of Venezuelan Informalism	2019	Nesselrode Moncada, Sean
Fighting for the abstract : Manuel de la Cruz González and geometric abstraction in Costa Rica	2019	Bonilla-Merchav, Lauran
The politics of abstraction in Colombian art during the Cold War	2019	Franco, Ana M.
Calligraphic abstraction and postwar Brazilian informalist painting	2019	Alvarez, Mariola V.
From sacrilegious black to chromatic system : the Argentinean monochrome	2019	Quiles, Daniel R.
The "Fotoforma" exhibition at MASP, 1951 : Geraldo de Barros and the Museum-School	2019	Espada, Heloísa
Negotiating Afro-Brazilian abstraction : Rubem Valentim in Rio, Rome, and Dakar, 1957-1966	2019	Lapin Dardashti, Abigail
Public "lifescapes" : Gonzalo Fonseca's designs for life and play (1964-1969)	2019	Steverlynck, María Laura
Antagonistic environments : gendered spaces and the kinetic installations of Colombian artists Feliza Bursztyn, Jacqueline Nova, and Julia Acuña	2019	Tarver, Gina McDaniel
"Vontade construtiva" : Latin America's geometric abstract identity	2019	Maroja, Camila
Informalism between Surrealism and Concrete Art : Aldo Pellegrini and the promotion of Modern Art in Buenos Aires during the 1950s	2019	García, María Amalia
Beyond abstraction : the work of Vicente Rojo, Kazuya Sakai, and Manuel Felguérez during the 1970s	2019	Usabiaga, Daniel Garza
Andean abstraction as displayed at the organization of American States	2019	Greet, Michele