| The transactions of detail
|
2018 |
Fer, Briony |
| Traditional views: conservative anti-naturalism and landscape aesthetics in France around 1900
|
2018 |
McWilliam, Neil |
| From Menzel to Burtynsky: episodes from an imagery of capitalism
|
2018 |
Clark, Timothy J. |
| Every day, something happens to us: realism at the crossroads
|
2018 |
Day, Gail |
| Elasticity and sculptural form
|
2018 |
Arscott, Caroline |
| A portrait of the artist as a dead man
|
2018 |
Wood, Jon |
| Death metal
|
2018 |
Wagner, Anne Middleton |
| Attending to the veristic sculptural portrait in the eighteenth century
|
2018 |
Baker, Malcolm |
| Willem Kalf on "reflexykonst" : the aesthetics of transformation in still life
|
2018 |
Brusati, Celeste |
| "Dirty realism": documentary photography in 1970s Britain - a maquette
|
2018 |
Edwards, Steve |
| Realism then and now : introduction
|
2018 |
Hemingway, Andrew |
| The roots of Mike Kelley's realism : subterranean homesick blues
|
2018 |
Crow, Thomas E. |
| The moment of guerrilla art
|
2018 |
Rider, Alistair |
| Coda: on Margate Sands ...
|
2018 |
Rifkin, Adrian |
| Antonioni's "Blow-Up" (1966): photography and film
|
2018 |
Tickner, Lisa |
| Recurrent dialogues in the history of Chinese and English garden design
|
2018 |
Powers, Martin J. |
| Constance Stuart's war: women and documentary's excess
|
2018 |
Garb, Tamar |
| Democratic light: phenomenology and the worldliness of painting
|
2018 |
Prendeville, Brendan |
| Body and soul in the work of Thomas Eakins and F. Holland Day
|
2018 |
Zurier, Rebecca |
| Realism's credibility problem
|
2018 |
Shannon, Joshua |
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