Sonidos Negros on the blackness of flamenco
How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus...
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| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
New York, NY
Oxford University Press
2019
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| Schriftenreihe: | Currents in Latin American & Iberian music
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| Schlagworte: |
Geschichte 1492-1933
> Flamenco
> Flamenco / Social aspects
> Dance and race
> Rasse
> Person of Color
> Tanz
> Roma
> Sinti
> Schwarze
> Spanien
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| Online Zugang: | Inhaltsverzeichnis |
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Tag hinzufügen | Zusammenfassung: | How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? 'Sonidos Negros' traces how, between 1492-when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus's landing on Hispaniola - and 1933 - when Andalusian poet Federico Garc ia Lorca published his 'Theory and Play of the Duende' - the vanquished Moor became Black; and how the imagined Gitano (Gypsy, or Roma) embodies the warring images and sounds of this process |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xix, 293 Seiten 24 cm |
| ISBN: | 9780190466923 978-0-19-046692-3 9780190466916 978-0-19-046691-6 |