| [Rezension von: Technical studies of paintings: problems of attribution (15th-17th centuries) : papers presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting held in Bruges, 11-13 September 2014 / edited by Anne Dubois, Jacqueline Couvert and Till-Holger Borchert. - Paris ; Leuven ; Bristol, CT : Peeters, 2018. - XXI, 376 Seiten]
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2020 |
Simon, Anna |
| Le "Triptyque de l'Adoration des Mages" (Turin-Gênes) et le mécénat d'Hendrik Keddekin, abbé de Ter Doest
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2018 |
Bücken, Véronique |
| Philip the Good bare-headed : in search for original and copy
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2018 |
Kemperdick, Stephan |
| The "Goldene Tafel" from Lüneburg, c. 1420 : new findings about painting process and characteristics
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2018 |
Hartwieg, Babette |
| Two "new" paintings by Jan de Beer : technical studies, connoisseurship and provenance research
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2018 |
Brink, Peter van den |
| The "Calling of Saint Matthew" attributed to the Master of the Abbey of Dielegem
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2018 |
Christie, Nicola |
| The "Middendorf Altarpiece" by a follower of Hugo van der Goes
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2018 |
Ainsworth, Maryan W. |
| Who is the "Man in Red" and who painted him?
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2018 |
Kempski, Mary |
| Albrecht Bouts in Sibiu : a unique self-portrait in "memento mori"
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2018 |
Henderiks, Valentine |
| The "Saint Michael Altarpiece" in Spišská Kapitula : a preliminary report
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2018 |
Ciulisová, Ingrid |
| The oeuvre of Jan Swart van Groningen reconsidered
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2018 |
Dyballa, Katrin |
| Hans Holbein "Hans of Antwerp" : findings from the recent examination, cleaning and restoration
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2018 |
Chorley, Claire |
| Revising Friedländer : the "underdrawing connoisseurship" and the Master of the Turin Adoration
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2018 |
Galassi, Maria Clelia |
| Master or assistant? : painted alterations in the Pleydenwurff workshop
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2018 |
Hirschfelder, Dagmar |
| XRF analysis of pigments in the "Donne Hours" (Louvain-la-Neuve, Archives de l'Université, ms. A2)
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2018 |
Dubois, Anne |
| The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
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2018 |
Oosterwijk, Anne van |
| Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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2018 |
Faries, Molly |
| A case of mistaken identity : a version of the "Good Shepherd" by Pieter Brueghel the Younger
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2018 |
Allart, Dominique |
| The "Polyptych of the Seven Sorrows of the Virgin" in the Museu Frederic Marès : an unusual altarpiece
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2018 |
Sandalinas Linares, Carmen |
| The "Triptych of the True Cross" in Veurne in connection to a drawing in Rotterdam : working process and attribution
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2018 |
Niessen, Judith |
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