| Laughing in the face of calamity : visual satire after the Great Kantō Earthquake
|
2018 |
Weisenfeld, Gennifer S. |
| Kano Tan'yū and Hōrin Jōshō : patronage and artistic practice
|
2018 |
Gerhart, Karen M. |
| Some western thoughts on Shodō : the way of writing
|
2018 |
Barnet, Sylvan |
| The monk-painter in medieval Japan
|
2018 |
Lippit, Yukio |
| Embodiment/ disembodiment in Japanese painting during the Fifteen-Year War
|
2018 |
Winther-Tamaki, Bert |
| "Pictures (the most part bawdy)" : the Anglo-Japanese painting trade in the early 1600s
|
2018 |
Screech, Timon |
| Copying and theory in Edo-period Japan (1615-1868)
|
2018 |
Kameda, Kazuko |
| Studio practices in early Japanese photography : the Tomishige archive
|
2018 |
Fraser, Karen M. |
| Views of Lake Biwa
|
2018 |
McKelway, Matthew P. |
| Nihonga meets Gu Kaizhi : a Japanese copy of a Chinese painting in the British museum
|
2018 |
McCausland, Shane |
| Cracking cauldrons and babies on blossoms : the relocation of salvation in Japanese hell painting
|
2018 |
Hirasawa, Caroline |
| Behind the sensationalism : images of a decaying corpse in Japanese Buddhist art
|
2018 |
Kanda, Fusae |
| The visual culture of Japanese Buddhism from the early modern period to the present
|
2018 |
Graham, Patricia |
| Portrait of Prince Shōtoku and two princes : from devotional painting to imperial object
|
2018 |
Pradel, Chari |
| From deudal hero to national icon : the Kusunoki Masashige image, 1660-1945
|
2018 |
Maeda, Tamaki |
| Selling portrait photographs : early photographie business in Asakusa, Japan
|
2018 |
Fukuoka, Maki |
| Of modes and manners in Japanese ink painting : Sesshū's "Splashed Ink Landscape" of 1495
|
2018 |
Lippit, Yukio |
| Masters of mercy : Kano Kazunobu and the Buddha's amazing disciples
|
2018 |
Ulak, James T. |
| Meaning and multiplicity : the Daruma images of Nantenbō
|
2018 |
Berry, Paul |
| Konoe Nobutada's "Waka Byobu" : kana calligraphy and the triumph of a displaced courtier
|
2018 |
Ōki, Sadako |
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