How to use colonial photography in Sub-Saharan Africa for edcucational and academic purposes the case of Togo
Gespeichert in:
| Veröffentlicht in: | Global photographies / Sissy Helff, Stefanie Michels (eds.) |
|---|---|
| 1. Verfasser: | |
| Format: | UnknownFormat |
| Sprache: | eng |
| Veröffentlicht: |
2018
|
| Schlagworte: | |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| Re-framing photography : some thoughts | 2018 | Michels, Stefanie |
| Elective affinities? : history and photography | 2018 | Jäger, Jens |
| Presentness, memory and history : Thabiso Sekgala, "Homeland" | 2018 | Gutberlet, Marie-Hélène |
| Reflexions on the photographic archive in the humanities | 2018 | Prussat, Margrit |
| Re-imagining the family album through literary adaptation | 2018 | Waterman, Sally |
| Public rites/private memories : reconciling the social and individual in wedding photography | 2018 | Ruchatz, Jens |
| How to use colonial photography in Sub-Saharan Africa for edcucational and academic purposes : the case of Togo | 2018 | Azamede, Kokou |
| African photography in the Atlantic visualscape : moving photographers - circulating images | 2018 | Schneider, Jürg |
| Portraits of distant worlds : Frobenius' pictorial archive and its legacy | 2018 | Kuba, Richard |
| On the circulation of colonial pictures : polyphony and fragmentation | 2018 | Hahn, Hans Peter |