Edmund Kesting's polyphonic portraits, and the abstract face of the socialist self in East Germany

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Bibliographische Detailangaben
Veröffentlicht in:	The ethics of seeing / edited by Jennifer Evans, Paul Betts and Stefan-Ludwig Hoffmann
1. Verfasser:	James, Sarah E. (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2018
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Titel	Jahr	Verfasser
The diversification of East Germany's visual culture	2018	Hamelin, Candice M.
Thoughts on photography and the practice of history	2018	Edwards, Elizabeth
Seeing the "savage" and the suspension of time : photography, war and concentration camps in German South West Africa, 1904-1908	2018	Siebrecht, Claudia
Seeing subjectivity : erotic photography and the optics of desire	2018	Evans, Jennifer V.
Visible trophies of war : German occupiers' photographic perceptions of France, 1940-44	2018	Torrie, Julia S.
Documenting Heimkehr : photography, displacement and "homecoming" in the Nazi resettlement of the ethnic Germans, 1939-1940	2018	Harvey, Elizabeth
Gazing at ruins : German defeat as visual experience	2018	Hoffmann, Stefan-Ludwig
Hope flies; death dances : moving towards an ethics of seeing	2018	Thomas, Julia Adeney
Edmund Kesting's polyphonic portraits, and the abstract face of the socialist self in East Germany	2018	James, Sarah E.
The "face of war" in Weimar Visual Culture	2018	Ramsbrock, Annelie
Photographing reurbanization in West Berlin, 1977-84	2018	Ross, Anna
The intimacy of revolution : 1989 in pictures	2018	Betts, Paul