| The goldsmiths of the Grand Gallery of the Louvre
|
2017 |
Bimbenet-Privat, Michèle |
| The Louvre and the inception of the royal collections : two chapters of a single story
|
2017 |
Piccinelli-Dassaud, Christophe |
| In Antoine Coypel's studio
|
2017 |
Brouzet, David |
| André Charles Boulle's workshop at the Louvre
|
2017 |
Dassas, Frédéric |
| Teaching and theory of the arts at the Royal Academy of Panting and Sculpture
|
2017 |
Castex, Jean-Gérald |
| From the idea of a museum to the creation of the muséum, 1750-1793
|
2017 |
Mardrus, Françoise |
| "Across the universe" : the Pierre Jean Mariette Collection
|
2017 |
Leunuque, Isabelle |
| Gaining admittance to the Royal Academy : reception pieces
|
2017 |
Scherf, Guilhem |
| A collection fit for a king : the acquisitions of Louis XIV for the Château de Versailles
|
2017 |
Maral, Alexandre |
| A palace for artists : when the Louvre was a protector of the arts
|
2017 |
Fonkenell, Guillaume |
| The Louvre between encyplaedism and aesthetic cosmopolitanism
|
2017 |
Poulot, Dominique |
| Louis XIV's hardstone vases
|
2017 |
Malgouyres, Philippe |
| Exhibiting the at Louvre
|
2017 |
Faroult, Guillaume |
| The sale of the collections of the Duc d'Aumont
|
2017 |
Dassas, Frédéric |
| From Louis XIV's legacy to national heritage : the marble sculptures of the gardens of Versailles and Marly
|
2017 |
Maral, Alexandre |
| The great men of France
|
2017 |
Scherf, Guilhem |
| The Louvre after the Revolution : a dream of universality, 1795-1815
|
2017 |
Mardrus, Françoise |
| The salon and the critics
|
2017 |
Faroult, Guillaume |
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