Towards a Poor Cinema the Performativity of Mobile Cameras in New Image Wars

Gespeichert in:

Bibliographische Detailangaben
Veröffentlicht in:	Visualizing war / edited by Anders Engberg-Pedersen and Kathrin Maurer
1. Verfasser:	Ruchel-Stockmans, Katarzyna (VerfasserIn)
Format:	UnknownFormat
Sprache:	eng
Veröffentlicht:	2018
Schlagworte:
Tags:	Tag hinzufügen Keine Tags, Fügen Sie den ersten Tag hinzu!

Titel	Jahr	Verfasser
Visualizing War in the Museum : Experiential Spaces, Emotions, and Memory Politics	2018	Jaeger, Stephan
Flat Emotions : Maps and Wargames as Emotional Technologies	2018	Engberg-Pedersen, Anders
Spectacle, surveillance, and just war today : preface	2018	Mitchell, W. J. T.
Post-Traumatic Stress Disorder in Drone Operators : Relying on Uncertainty in Omer Fast's 5,000 Feet is the Best (2011)	2018	Bräunert, Svea
Towards a Poor Cinema : the Performativity of Mobile Cameras in New Image Wars	2018	Ruchel-Stockmans, Katarzyna
War in the Age of Anti-Social Media	2018	Mieszkowski, Jan
Max Beckmann's Revenants and Ernst Jünger's Drones : Vision and Coolness in the Interwar Period	2018	Kanz, Christine
The Paradox of Total Immersion : Watching War in Nineteenth-Century Panoramas	2018	Maurer, Kathrin
Horsemeat with Cucumber Salad : Laughing at the Images of War in Alexander Kluge's Films	2018	Schütte, Andrea
Visualizing Community : A Look at World War II Propaganda Films	2018	Kappelhoff, Hermann
From Warrior Heroes to Vulnerable Boys : Debunking "Soldierly Masculinity" in Tim Hetherington's Infidel Photos	2018	Bjerre, Thomas Ærvold
Cropped Vision : Photography and Complicity in Women's World War II Memoirs	2018	Krimmer, Elisabeth