| Monumentalizing the everyday : the Edo-Tokyo Museum
|
2018 |
Sand, Jordan |
| Okakura's way of tea : representing "Chanoyu" in early twentieth-century America
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2018 |
Murai, Noriko |
| The retirement of Kyoto as imperial capital
|
2018 |
Tseng, Alice Y. |
| The presentation and reception of Japanese art in Europe during the Meiji period
|
2018 |
Yokomizo, Hiroko |
| Homo Orientalis : Bernard Leach and the image of the Japanese craftsman
|
2018 |
De Waal, Edmund |
| "Create what has never been done before!" : historicising Gutai discourses of originality
|
2018 |
Tiampo, Ming |
| ""The sole guardians of the art inheritance of Asia" : Japan and China at the 1904 St. Louis World's Fair
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2018 |
Christ, Carol Ann |
| The empire of things : Tokugawa Ieyasu's material legacy and cultural profile
|
2018 |
Pitelka, Morgan |
| Preserving intangible heritage in Japan : the role of the "iemoto" system
|
2018 |
Cang, Voltaire Garces |
| Objects of desire : Japanese collectors and colonial Korea
|
2018 |
Brandt, Lisbeth K. |
| Reconsidering Zen, samurai and the material arts
|
2018 |
Benesch, Oleg |
| Copying in Japanese art : calligraphy, painting, and architecture
|
2018 |
Shimizu, Yoshiaki |
| The multiple modalities of the copy in traditional Japanese crafts
|
2018 |
Guth, Christine |
| Sumptuous re-past : the 1964 Tokyo Olympics Arts Festival
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2018 |
Aso, Noriko |
| Charles Longfellow and Okakura Kakuzō : cultural cross-dressing in the colonial context
|
2018 |
Guth, Christine |
| The "Kimono Wednesday" protests : identity politics and how the kimono became more than Japanese
|
2018 |
Valk, Julie |
| Tōfukumon'in : empress, patron, and artist
|
2018 |
Lillehoj, Elizabeth |
| Modern art patronage and democratic citizenship in Japan
|
2018 |
Hein, Laura Elizabeth |
| Artifacts or art? : envisioning East Asian culture in imperial Germany
|
2018 |
Croissant, Doris |
| New art collectives in the service of the war : the formation of art organizations during the Asia-Pacific war
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2018 |
Kaneko, Maki |
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