| Painted Landscapes by Lievens and Rembrandt : the View from Seventeenth-Century Amsterdam Collections
|
2017 |
Coutré, Jacquelyn N. |
| Rembrandt's First Nude? : the Recent Analysis of Susanna and the Elders from Rembrandt's Workshop
|
2017 |
Kleinert, Katja |
| Rembrandt and Frans Hals Painting in the Workshop of Hendrick Uylenburgh
|
2017 |
Dudok van Heel, Sebastien A. C. |
| Rembrandt, Ferdinand Bol, and Tobit : the Emergence of a Pathosträger
|
2017 |
Leja, Jan L. |
| 17. Chain Line Pattern Matching and Rembrandt's Prints 319
|
2017 |
Johnson, C. Richard |
| Rembrandt and the Humanist Ideal of the Universal Painter
|
2017 |
Bakker, Boudewijn |
| Gerrit Dou as a Pupil of Rembrandt
|
2017 |
Bijl, Martin |
| Rembrandt's One Guilder Print : Value and Invention in 'the most beautiful [print] that ever came from the burin of this Master'
|
2017 |
Golahny, Amy |
| Jan van Vliet and Rembrandt van Rijn : Their Collaboration Reassessed
|
2017 |
Rutgers, Jaco |
| Curiosity and Desire : Rembrandt's Collection as Historiographic Barometer
|
2017 |
Chapman, H. Perry |
| Rembrandt's Head of Christ : Some Technical Observations concerning Matters of Style
|
2017 |
Wallert, Arie |
| Biblical Iconography in the Graphic Work of Rembrandt's Circle
|
2017 |
Coelen, Peter van der |
| Jan Lievens in Antwerp : Three Rediscovered Works
|
2017 |
Dickey, Stephanie |
| A New Painting by Jan van Noordt in Budapest
|
2017 |
Ember, Ildikó |
| A Rediscovered Head of John the Baptist on a Platter from Rembrandt's Studio
|
2017 |
DeWitt, Lloyd |
| Printmaking among Artists of the Rembrandt School
|
2017 |
Orenstein, Nadine |
| Rembrandt and the Germanic Style
|
2017 |
Weststeijn, Thijs |
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