| Marcel Duchamp and the Perceptual Dimension of Conceptual Art
|
2017 |
Craven, David |
| Norman Lewis as Political Activist and Post-Colonial Artist
|
2017 |
Craven, David |
| John Berger as Art Critic
|
2017 |
Craven, David |
| C.L.R. James as a Critical Theorist of Modernist Art
|
2017 |
Craven, David |
| Present Indicative Politics and Future Perfect Positions : Barack Obama and Third Text
|
2017 |
Craven, David |
| Formative Art and Social Transformation : the Nicaraguan Revolution on Its Tenth Anniversary (1979-1989)
|
2017 |
Craven, David |
| The Latin American Origins of Alternative Modernism
|
2017 |
Craven, David |
| Different Conceptions of Art: An Outline : postscript
|
2017 |
Winkenweder, Brian |
| Charles Biederman and Art Theory
|
2017 |
Craven, David |
| Richard Serra and the Phenomenology of Perception
|
2017 |
Craven, David |
| Cuban Art and the Democratisation of Culture
|
2017 |
Craven, David |
| Abstract Expressionism and Third World Art : a Post-Colonial Approach to 'American' Art
|
2017 |
Craven, David |
| A Legacy for the Latin American Left : Abstract Expressionism as Anti-Imperialist Art
|
2017 |
Craven, David |
| Abstract Expressionism, Automatism and the Age of Automation
|
2017 |
Craven, David |
| David Craven, Democratic Socialism and Art History : introduction
|
2017 |
Winkenweder, Brian |
| Ruskin vs. Whistler : the Case against Capitalist Art
|
2017 |
Craven, David |
| Clement Greenberg and the'Triumph'of Western Art
|
2017 |
Craven, David |
| Popular Culture versus Mass Culture
|
2017 |
Craven, David |
| Art History and the Challenge of Post-Colonial Modernism
|
2017 |
Craven, David |
| New Documents: The Unpublished FBI Files on Ad Reinhardt, Mark Rothko, and Adolph Gottlieb
|
2017 |
Craven, David |
Tag hinzufügen