| Charles Biederman and Art Theory
|
2017 |
Craven, David |
| Richard Serra and the Phenomenology of Perception
|
2017 |
Craven, David |
| Cuban Art and the Democratisation of Culture
|
2017 |
Craven, David |
| Abstract Expressionism and Third World Art : a Post-Colonial Approach to 'American' Art
|
2017 |
Craven, David |
| A Legacy for the Latin American Left : Abstract Expressionism as Anti-Imperialist Art
|
2017 |
Craven, David |
| Abstract Expressionism, Automatism and the Age of Automation
|
2017 |
Craven, David |
| David Craven, Democratic Socialism and Art History : introduction
|
2017 |
Winkenweder, Brian |
| Ruskin vs. Whistler : the Case against Capitalist Art
|
2017 |
Craven, David |
| Clement Greenberg and the'Triumph'of Western Art
|
2017 |
Craven, David |
| Popular Culture versus Mass Culture
|
2017 |
Craven, David |
| Art History and the Challenge of Post-Colonial Modernism
|
2017 |
Craven, David |
| New Documents: The Unpublished FBI Files on Ad Reinhardt, Mark Rothko, and Adolph Gottlieb
|
2017 |
Craven, David |
| Hans Haacke and the Aesthetics of Dependency Theory
|
2017 |
Craven, David |
| Prerequisites for a New Criticism
|
2017 |
Craven, David |
| Corporate Capitalism and South Africa
|
2017 |
Craven, David |
| Post-Colonial Modernism in the Work of Diego Rivera and José Carlos Mariétegui
|
2017 |
Craven, David |
| René Magritte and the Spectre of Commodity Fetishism
|
2017 |
Craven, David |
| The Critique-Poésie of Thomas Hess
|
2017 |
Craven, David |
| Hegemonic Art History
|
2017 |
Craven, David |
| Realism Revisited and Re-Theorised in 'Pan-American' Terms
|
2017 |
Craven, David |
Tag hinzufügen