| Charles Biederman and Art Theory
|
2017 |
Craven, David |
| Richard Serra and the Phenomenology of Perception
|
2017 |
Craven, David |
| Cuban Art and the Democratisation of Culture
|
2017 |
Craven, David |
| Abstract Expressionism and Third World Art : a Post-Colonial Approach to 'American' Art
|
2017 |
Craven, David |
| A Legacy for the Latin American Left : Abstract Expressionism as Anti-Imperialist Art
|
2017 |
Craven, David |
| Abstract Expressionism, Automatism and the Age of Automation
|
2017 |
Craven, David |
| David Craven, Democratic Socialism and Art History : introduction
|
2017 |
Winkenweder, Brian |
| Ruskin vs. Whistler : the Case against Capitalist Art
|
2017 |
Craven, David |
| Clement Greenberg and the'Triumph'of Western Art
|
2017 |
Craven, David |
| Popular Culture versus Mass Culture
|
2017 |
Craven, David |
| Art History and the Challenge of Post-Colonial Modernism
|
2017 |
Craven, David |
| New Documents: The Unpublished FBI Files on Ad Reinhardt, Mark Rothko, and Adolph Gottlieb
|
2017 |
Craven, David |
| Mondrian De-Mythologised : Towards a Newer Virgil
|
2017 |
Craven, David |
| Meyer Schapiro, Karl Korsch and the Emergence of Critical Theory
|
2017 |
Craven, David |
| Aesthetics as Ethics in the Writings of Robert Motherwell and Meyer Schapiro
|
2017 |
Craven, David |
| Herbert Marcuse on Aesthetics
|
2017 |
Craven, David |
| Marcel Duchamp and the Perceptual Dimension of Conceptual Art
|
2017 |
Craven, David |
| Norman Lewis as Political Activist and Post-Colonial Artist
|
2017 |
Craven, David |
| John Berger as Art Critic
|
2017 |
Craven, David |
| C.L.R. James as a Critical Theorist of Modernist Art
|
2017 |
Craven, David |
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