Hans Haacke and the Aesthetics of Dependency Theory
|
2017 |
Craven, David |
Prerequisites for a New Criticism
|
2017 |
Craven, David |
Corporate Capitalism and South Africa
|
2017 |
Craven, David |
Post-Colonial Modernism in the Work of Diego Rivera and José Carlos Mariétegui
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2017 |
Craven, David |
René Magritte and the Spectre of Commodity Fetishism
|
2017 |
Craven, David |
The Critique-Poésie of Thomas Hess
|
2017 |
Craven, David |
Hegemonic Art History
|
2017 |
Craven, David |
Realism Revisited and Re-Theorised in 'Pan-American' Terms
|
2017 |
Craven, David |
Robert Smithson's 'Liquidating Intellect'
|
2017 |
Craven, David |
Marcel Duchamp and the Perceptual Dimension of Conceptual Art
|
2017 |
Craven, David |
Norman Lewis as Political Activist and Post-Colonial Artist
|
2017 |
Craven, David |
John Berger as Art Critic
|
2017 |
Craven, David |
C.L.R. James as a Critical Theorist of Modernist Art
|
2017 |
Craven, David |
Present Indicative Politics and Future Perfect Positions : Barack Obama and Third Text
|
2017 |
Craven, David |
Formative Art and Social Transformation : the Nicaraguan Revolution on Its Tenth Anniversary (1979-1989)
|
2017 |
Craven, David |
The Latin American Origins of Alternative Modernism
|
2017 |
Craven, David |
Different Conceptions of Art: An Outline : postscript
|
2017 |
Winkenweder, Brian |
Charles Biederman and Art Theory
|
2017 |
Craven, David |
Richard Serra and the Phenomenology of Perception
|
2017 |
Craven, David |
Cuban Art and the Democratisation of Culture
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2017 |
Craven, David |