Gauguin's challenge new perspectives after postmodernism
Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as "the father of modernist primitivism." In this vo...
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| Sprache: | eng |
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New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2018
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| Schriftenreihe: | Bloomsbury visual arts
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Tag hinzufügen | Titel | Jahr | Verfasser |
|---|---|---|
| On not seeing Tahiti : Gauguin's Noa Noa and the rhetoric of blindness | 2018 | Wright, Alastair |
| "All men could be Buddhas" : Paul Gauguin's Marquesan Diptych | 2018 | Hargrove, June Ellen |
| Flora Tristan's grandson : reconsidering the feminist critique of Paul Gauguin | 2018 | Broude, Norma |
| Taking back Teha'amana : feminist interventions in Gauguin's legacy | 2018 | Childs, Elizabeth C. |
| Gauguin: vitalist, hypnotist | 2018 | Larson, Barbara |
| Re-possessing Gauguin : material histories and the contemporary Pacific | 2018 | Waldroup, Heather Leigh |
| Gauguin and the challenge of ambiguity | 2018 | Gamboni, Dario |
| Gauguin's alter egos : writing the other and the self | 2018 | Goddard, Linda |
| Paul Gauguin's self-portraits in Polynesia : androgyny and ambivalence | 2018 | Stotland, Irina |
| Evolution and desire in Gauguin's Tahitian Eve | 2018 | Lucy, Martha |