| The Marxist collector : the art collection of Bernard and Kate Smith
|
2016 |
Challis, Kate |
| Bernard Smith as curator : soixante-huitard or Grand Tourist?
|
2016 |
Stephen, Ann |
| Documenting art : Bernard Smith, academic art history and the role of the curator
|
2016 |
Berryman, Jim |
| Photography and the triumph of science in European Vision and the South Pacific
|
2016 |
Davidson, Kathleen |
| Bernard Smith in space and time : 'The Antipodean Manifesto' fifty years later
|
2016 |
Giles, Paul |
| Peter Fuller, the Celtic midwife and some [other] Northern critics of Southern art
|
2016 |
Pierse, Simon |
| The life and the work : Australian art biography
|
2016 |
Clark, John |
| History, art history and museology in the Pacific
|
2016 |
Thomas, Nicholas |
| Bernard Smith and the professional art museum
|
2016 |
Mendelssohn, Joanna |
| Ideological conduits and political coathangers : Bernard Smith on Counihan and Courbet
|
2016 |
Palmer, Sheridan |
| The multiple legacies of Bernard Smith : biographical overview
|
2016 |
Anderson, Jaynie |
| Cooperation and friendship : in tribute to Bernard Smith
|
2016 |
Joppien, Rüdiger |
| Bernard Smith: the art historian as hero
|
2016 |
Smith, Terry |
| Re-reading Bernard Smith on what constitutes Australian art
|
2016 |
Speck, Catherine |
| Contingency as the guard dog of history : Bernard Smith at the National Art Gallery of New South Wales, 1944-48
|
2016 |
Miller, Steven |
| Bernard Smith as activist
|
2016 |
Solling, Max |
| Bernard Smith, 'cultural convergence' and art history
|
2016 |
De Lorenzo, Catherine |
| A half-century on: the legacy of European Vision and the South Pacific
|
2016 |
Sayers, Andrew |
| 'My greatest debt' : Bernard Smith, the Warburg Institute, and the evolution of European Vision and the South Pacific
|
2016 |
Gaston, Robert W. |
| Bernard Smith's blind spot : Aboriginal and Australian art
|
2016 |
McLean, Ian |
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