Labour and Its Aftermath, or: On the Difficulty of Catching Oneself in the Act of Doing 'What artists do'

Labour and Its Aftermath, or: On the Difficulty of Catching Oneself in the Act of Doing 'What artists do'

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Bibliographische Detailangaben
Veröffentlicht in:you were not expected to do this / Daniel Blanga-Gubbay, Elisabeth Ruchaud (eds.)
1. Verfasser: Gentric, Katja (VerfasserIn)
Format: UnknownFormat
Sprache:eng
Veröffentlicht: 2017
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Dynamics of Medieval Production : The Grail Motif in the Roman de Perceforest 2017 Chardonnens, Noémie
Empty Time : The Temporality of Self-Affection in Kant's Analytic of the Sublime 2017 Schreel, Louis
Tino Sehgal's "Constructed Situations" : The Tension of Immaterial Production 2017 Valentini, Francesca
Working Traces in the History of Art 2017 Dobler, Ralph-Miklas
˜Theœ (Im-)Possiblity of Tracing Labour : On Jean-Luc Moulène's Objets de Grève 2017 Sigler, Friederike
Labour and Its Aftermath, or: On the Difficulty of Catching Oneself in the Act of Doing 'What artists do' 2017 Gentric, Katja
Traces in Sight : Aesthetic Production Dynamics by Nathalie Sarraute and Alain Robbe-Grillet 2017 Callsen, Berit
'Organisme d'art' : Evolution and Artistic Production in the Work of Odilon Redon 2017 Thurmair, Katharina
Rupturing Backgrounds : Production as Resistance in Courbet's "The Artist's Studio" 2017 Peselmann, Veronica
Aesthetic Mechanisms of Bio-Production 2017 Mongini, Claudia
˜Theœ 'Unexpected' in the Context of Philosophy and the Arts as Taught at 16th- and 17th-Century Academic Institutions 2017 Freedman, Joseph S.
˜Theœ Resistance of Language : Translation and Nomination in Walter Benjamin's Philosophy 2017 Hermann, Akos
Creation Needs Interference : The Five Obstructions 2017 Rozzoni, Claudio
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