The "Ghent Altarpiece" revisited: 2012-2017
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2017 |
Grevenstein-Kruse, Anne van |
"Revenons à notre Mouton" : Paul Coremans, Erwin Panofsky, Martin Davies and the "Mystic Lamb"
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2017 |
Dubois, Hélène |
Results of three campaigns of dendrochronological analysis on the "Ghent Altarpiece" (1986-2013)
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2017 |
Fraiture, Pascale |
La présentation de l"Agneau Mystique" dans la chapelle Vijd : le rapprochement progressif de deux retables
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2017 |
Verougstraete, Hélène |
Jan van Eyck, polychromer (and designer) of statues
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2017 |
Geelen, Ingrid |
Jan Van Eyck as illuminator? : Hand G of the Turin-Milan Hours
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2017 |
Reynolds, Catherine |
Van Eyck's technique and materials : historical perspectives and contemporary context
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2017 |
Spring, Marika |
The speed of illusion
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2017 |
Campbell, Lorne |
Jan van Eyck's Greek, Hebrew and trilingual inscriptions
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2017 |
Jones, Susan Frances |
Replications of exemplary form : new evidence on Jan van Eyck's "St Francis Receiving the Stigmata"
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2017 |
Smith, Jamie L. |
Questioning the technical paradigm of the "Ghent Altarpiece"
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2017 |
Streeton, Noëlle |
Gems in the water of paradise : the iconography and reception of heavenly stones in the "Ghent Altarpiece"
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2017 |
Bol, Marjolijn |
Voyager dans les tableaux de Van Eyck
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2017 |
Paviot, Jacques |
Surface effects in paintings by Jan van Eyck
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2017 |
Vandivere, Abbie |
Van Eyck in Valencia
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2017 |
Fransen, Bart |
Mural paintings before Jan van Eyck : a remarkable discovery from around 1400 in St John's Church in Mechelen
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2017 |
Buyle, Marjan |
Art and compensation : Joos Vijd and the programme of the "Ghent Altarpiece"
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2017 |
Ridderbos, Bernhard |
Remarks on character and functions in Jan van Eyck's underdrawing of portraits : the case of Margaret van Eyck
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2017 |
Billinge, Rachel |
The "Fishing Party" by Jan van Eyck (?) : a technical analysis
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2017 |
Chavannes-Mazel, Claudine A. |
Small hairs : meaning and material of a multiple detail in the "Ghent Altarpiece's" Adam and Eva panels
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2017 |
Lehmann, Ann-Sophie |