| Small hairs : meaning and material of a multiple detail in the "Ghent Altarpiece's" Adam and Eva panels
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2017 |
Lehmann, Ann-Sophie |
| Jan van Eyck and his "stereoscopic" approach to painting
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2017 |
Leonardi, Renzo |
| The develoment process of the "Dresden Triptych" : news and questions
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2017 |
Neidhardt, Uta |
| Gold-brocaded velvets in paintings by Jan van Eyck : observations on painting technique
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2017 |
Duijn, Esther van |
| Jan van Eyck's Genoese commissions : the lost triptych of Battista Lomellini
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2017 |
Galassi, Maria Clelia |
| Early texts on some portraits by Jan van Eyck
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2017 |
Kemperdick, Stephan |
| The tomb-slab of Hubert Van Eyck and Gerard Horenbout : a tribute to the great Ghent master
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2017 |
Belle, Ronald van |
| A note on gold and silver in a metalpoint drawing by Jan van Eyck
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2017 |
Wallert, Arie |
| The adoration of the lamb : Philip the Good and Van Eyck's just judges
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2017 |
Dequeker, Luc |
| [Rezension von: Van Eyck studies : papers presented at the eighteenth symposium for the study of underdrawing and technology in painting, Brussels, 19-21 september 2012 / edited by Christina Currie, Bart Fransen, Valentine Henderiks, Cyriel Stroo, Dominique Vanwijnsberghe. - Paris ; Leuven ; Bristol : Peeters Publishers, 2017. - (Underdrawing and technology in painting ; symposium 18)]
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2017 |
Simon, Anna |
| Le rôle du dessin sous-jacent et de l'ébauche préparatoire au lavis dans la genèse des peintures de l'"Agneau Mystique"
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2017 |
Périer-D'Ieteren, Catheline |
| John the Baptist and the Book of Isaiah in the "Ghent Altarpiece"
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2017 |
Stirnemann, Patricia Danz |
| The frames by Schinkel for the wings of the "Ghent Altarpiece" and the copies in Berlin
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2017 |
Roenne, Bettina von |
| Revelations regarding the "Crucifixion" and "Last Judgement" by Jan van Eyck and workshop
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2017 |
Ainsworth, Maryan W. |
| Les autoportraits présumés de Jan Van Eyck et la date approximative de sa naissance
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2017 |
Colman, Pierre |
| Pigments, media and varnish layers on the "Portrait of Margaret van Eyck"
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2017 |
Dunkerton, Jill |
| New findings on the painting medium of the Washington "Annunciation"
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2017 |
Gifford, Melanie |
| Les copies de la "Vierge à l'Enfant dans une église" de Jan van Eyck et le rôle de la version dessinée du Grand Curtius
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2017 |
Henderiks, Valentine |
| Research into structural condition and insights as to the original appearance of the panels and frames of the "Ghent Altarpiece"
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2017 |
Genbrugge, Aline |
| Gems in the water of paradise : the iconography and reception of heavenly stones in the "Ghent Altarpiece"
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2017 |
Bol, Marjolijn |
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