Edward Harding and Queen Charlotte
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2015 |
Roberts, Jane |
"The gipsey-race my pity rarely move"? : representing the gypsy in George Morland's "Morning, or the benevolent sportsman"
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2015 |
Grindle, Nicholas |
"The human element" : the contribution of C.R.W. Nevinson and Eric Kennington to the "Britain's efforts and ideals" lithographic project of 1917
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2015 |
Black, Jonathan |
Spinning the thread of life : the three fates, time and eternity
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2015 |
Murdoch, T. V. |
The face of Saartjie Bartman : Rowlandson, race and the "Hottentot Venus"
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2015 |
Wright, Alison |
William Blake's sodomites
|
2015 |
Myrone, Martin |
Infernal machines in nineteenth-century France
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2015 |
Taws, Richard |
"I will not alter an iota for any mans opinion upon earth" : James Gillray's portraits of William Pitt the Younger
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2015 |
Turner, Simon |
Collecting a canon : the Earl of Northumberland at Northumberland House and Syon House
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2015 |
Coutu, Joan Michèle |
John Everett Millais, James Wyatt of Oxford and a volume of Retzsch's "Outlines to Shakespeare" : a missing link
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2015 |
Calloway, Stephen |
An aesthetic sitter on an Empire sofa : William Blake Richmond's portrait of Mrs Luke Ionides
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2015 |
Evans, Mark |
"A dose of Paradise" : some effects of Renaissance drawings on Victorian artists
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2015 |
Owens, Susan |
A fine line : collecting, communication and the printed image
|
2015 |
Dethloff, Diana |
Roubiliac's Hogarth and the playful portrait bust
|
2015 |
Baker, Malcolm |
Michael Rysbrack's sculpture series for Queen Caroline's library at St James's Palace
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2015 |
Marschner, Joanna |
Idea and reality : Edvard Munch and the woodcut technique
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2015 |
Kuhlemann Falck, Ute |
John Heartfield : a political artist's exile in London
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2015 |
Schultz, Anna |
Eccentric pioneers? : patrons of modern sculpture for Britain c. 1790
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2015 |
Bryant, Julius |
"A close inspection" of British paintings and drawings, "within the context of their own time"
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2015 |
Sloan, Kim |
Blake, Linnell and Varley and "A treatise on zodiacal physiognomy"
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2015 |
Butlin, Martin |