| John Heartfield : a political artist's exile in London
|
2015 |
Schultz, Anna |
| Eccentric pioneers? : patrons of modern sculpture for Britain c. 1790
|
2015 |
Bryant, Julius |
| "A close inspection" of British paintings and drawings, "within the context of their own time"
|
2015 |
Sloan, Kim |
| Blake, Linnell and Varley and "A treatise on zodiacal physiognomy"
|
2015 |
Butlin, Martin |
| Wood-engravings from the collection of Francis Douce at the Ashmolean Museum
|
2015 |
Cerón, Mercedes |
| Amorous antiquaries : sculpture and seduction in Rowlandson's erotica
|
2015 |
Thom, Danielle |
| William Wyon as a pupil and follower of Flaxman
|
2015 |
Jones, Mark |
| Carving a niche in sculptural history
|
2015 |
Murdoch, T. V. |
| Canova and Thorvaldsen at Chatsworth
|
2015 |
Yarrington, Alison |
| Netherlandish allegories of madness in English perspective
|
2015 |
Lock, Léon E. |
| Spinning the thread of life : the three fates, time and eternity
|
2015 |
Murdoch, T. V. |
| The face of Saartjie Bartman : Rowlandson, race and the "Hottentot Venus"
|
2015 |
Wright, Alison |
| William Blake's sodomites
|
2015 |
Myrone, Martin |
| Infernal machines in nineteenth-century France
|
2015 |
Taws, Richard |
| "I will not alter an iota for any mans opinion upon earth" : James Gillray's portraits of William Pitt the Younger
|
2015 |
Turner, Simon |
| Collecting a canon : the Earl of Northumberland at Northumberland House and Syon House
|
2015 |
Coutu, Joan Michèle |
| John Everett Millais, James Wyatt of Oxford and a volume of Retzsch's "Outlines to Shakespeare" : a missing link
|
2015 |
Calloway, Stephen |
| An aesthetic sitter on an Empire sofa : William Blake Richmond's portrait of Mrs Luke Ionides
|
2015 |
Evans, Mark |
| "A dose of Paradise" : some effects of Renaissance drawings on Victorian artists
|
2015 |
Owens, Susan |
| A fine line : collecting, communication and the printed image
|
2015 |
Dethloff, Diana |
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